W4406946465 Working papers AI × management and organizations

WELCOME TO THE HOTEL CALIFORNIA: ALGORITHMIC MANAGEMENT AND REPRODUCING THE IDEOLOGY OF DIGITAL CAPITALISM IN PLATFORMISING CULTURE INDUSTRIES

Christopher Woods · Jack Davis

Also recorded as: doi:10.1177/13505084261447974 · doi:10.2139/ssrn.5050305 · ssrn:5050305

ssrn abstract page · 2025-01-29

Recorded claims
1
coded from the inspected source
Evidence classes
1
ssrn-abstract-page
Recorded limitations
2
stated, never hidden

From the hash-bound evidence releases

Recorded claims

Each claim states what the inspected source says, at the recorded location—bounded by its scope and graded by its confidence. Nothing here is a synthesis across works.

An ethnography of independent music producers in Liverpool argues that streaming and social-media algorithms act through algorithmic management to encourage profit-oriented, data-producing behavior, marginalize alternative practices, and normalize viral-fame and consumerist production logics.

confidence: high ssrn-abstract-page apw-e1-ssrn-backfill

Scope: Independent music production in Liverpool; participant and observation denominators and fieldwork period are not reported on the abstract page

Structured relationships

In-corpus citations

Only source-supplied cites relationships whose two endpoints are admitted are shown. Invocation evidence remains a separate relationship.

Cites (0)

No in-corpus outgoing citation is available in the current enrichment coverage.

Cited by (0)

No in-corpus incoming citation is available in the current enrichment coverage.

Boundaries

Limitations & independence

Recorded at coding time, carried with the work forever. A claim without its limits is not evidence.

Recorded limitations

  • Abstract-level evidence only; full text and PDFs were not inspected.
  • The visible evidence is geographically and sectorally localized; participant recruitment, sample size, data-collection period, and analytic procedure are not reported.

Source independence

ssrn-only